20101130
Fall Cove (sold to benefit Japan)
I was sick over the holiday weekend, and two things always happen when I paint while sick. 1. I get tentative and fussy with the paint, and 2. I'm never happy with what I do. That means a lot of scraping off and re-doing sections until I get mad enough to put some paint down like I mean it. It was a battle, but I'm finally okay with this one. Contrary to popular belief, we do get a lovely change of seasons in San Diego! You just have to pay attention. 6" X 8" oil/canvas panel.
20101126
After the Storm (sold)
La Playa Cove, with the last dark clouds moving out after the rains. The focus is on relative values, and using them to portray the spectacular brightness of the sun and that reflection. 8" X 6" oil on canvas panel.
(Sold)
20101119
Sunrise 5
20101117
Sunrise 4
This one almost got scraped off after the first session, but I went back again at sunrise a few days later, and it seemed to come together. Now I really like it. You just never know. 6 X 8", oil/canvas panel.
20101116
Cloudburst (sold)
Very fast sketch of some very fast moving dark clouds. Before I finished painting, they were overhead and it was pouring. Since this is the view out our window, I was indoors, nice and dry. 6 X 8" oil/canvas panel.
20101112
Sunrise 3
Shadows have beautiful color, and can say so much about the presence of things not seen. Third in a series done at Fort Rosecrans, with the Cabrillo Monument Visitor Center in the background. 6 X 8", oil on canvas panel.
These small plein air paintings are done with my Guerrilla Painter Thumb-box which fits on the small rear rack of my road bike. I ride out to wherever I paint on site, so keeping it small is helpful. If I'm hiking or taking public transit, I use a larger EasyL setup with tripod. There's something very enjoyable about keeping the setup so simple though, and people seem genuinely happy to see someone out there with a bike and a paint box. Sometimes they stop and say so, which is very nice of them. Here's my setup--everything I need, box and all, fits into that canvas bag which I bungee onto the rack (where the box is sitting).
20101110
Sunrise 2
We've had beautiful sunny mornings lately, and the shadows are wonderful. 6" X 8" plein air, oil on canvas panel.
20101107
20101102
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20101023
Ikea Kitchen #3
I like that these are getting more abstract, more about shapes and color. That's where the beauty is. 8" X 10", oil on panel.
20101012
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20100904
Backlit
Self portraits in the mirror are a challenge (mainly because the model keeps moving). The challenge with this one was to define the form with very subtle changes in value and color, because the whole subject is in shadow.
20100829
20100826
Fog
I love when the fog does this, creeping over the Point like fingers. This was the afternoon of the same day as the previous post. 6 X 8", plein air, oil/canvas panel.
20100825
Morning ebb tide
In the morning before the winds come up, especially if the tide is ebbing, the surface of the water is smooth as glass. 8 X 6", plein air, oil/canvas panel.
20100821
La Playa Cove (sold)
Fog over the Point. First painting in our new home; this is the view from our balcony. Of course it's full of boats, since the Yacht Club is right here, but this is the essence of the water and Point Loma. This will be a series. 6 X 6", plein air. (sold)
20100815
Grounded
My mom loves hummingbirds, so a dear friend of hers sends her hummingbird figurines. Her house is full of all sorts of them. These two sat on a sunny windowsill.
20100813
Apples
The other quick sketch to get the feel of the water-soluble oil paints. I tried a loose wash for a background, just diluting the paint with water. It makes a lovely wash, with more substance but also more stickiness and drag than paint thinned with spirits. All in all I love how these paints make me push more. They're forgiving of indecision too, since they chalk up less than traditional oils when an area is re-worked.
20100812
Clearcut
For my trip to Oregon, I bought a selection of Holbein Duo water-soluble oils so I wouldn't have to deal with finding some thinner and oil mediums. I've never used these before, but a number of my painting friends like them. They do handle differently and take some getting used-to. To try them out, I dashed off a couple very fast and loose sketches. This is the consummate Oregon landscape--thick woods with a bare slope of clearcut.
20100811
Squash
While visiting Mom in Oregon, I was fortunate to meet a group of enthusiastic and dedicated painters who allowed me to sit in on their weekly class. I did this little still life with some "props" that happened to be available, and thoroughly enjoyed the energy and spirit of the group. The teacher has a very good eye and insight, and contributed some very helpful feedback. Thanks, all you Rogue River Painters!
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20100705
Shell Beach
8 X 10". From a plein air sketch done last October at Shell Beach, in San Luis Obispo County, California.
20100703
Martini, or Margarita?
We got a set of these goofy glasses from a dear friend. Can't decide what to put in them first. :)
6 X 8", oil on gessoed acid-free card.
20100702
Two Views
4" X 6", oil on gessoed acid-free card
From the same viewpoint, looking to the northeast, San Diego and just the tip of North Island:
20100630
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