The Show is Up!

We hung the show at Cabrillo National Monument yesterday, and in the next couple days I'll get caught up on the most recent work that I haven't posted here yet.

This is the flyer (created by Ranger Tavio) to promote the show:

And here are some shots of the gallery and the installation process:

Ranger Tavio (right) and I, hanging a painting.  Below: the gallery, looking left and right.  One could not ask for a more beautiful setting.  It really adds dimension to the work, seeing the actual landscape where many of the paintings were created.

This is the information table, where there is now an exhibition catalog, business cards, my statement and CV.   That painting (yet to be posted here) is 20 X 24, and is really the centerpiece of the show.  It sums up my intention in this body of work.

If you would like to see all 26 works in the exhibition with my descriptions of each painting, you can see them on my website at this link.

A special shout-out to my sainted husband, who was instrumental in the success of this 4-hour installation process and who also took these pictures.

More soon.

Lighthouse from the Bluffs

This is the back of the Lighthouse, viewed from the bluffs, done during the last paint-out with the Meetup group. 

12" X 9", o/cp. (Sold, private collection)

The intermittent fog and hazy sun made for an interesting atmosphere, but the challenge was to render that white building against a cool bright sky in weak sunlight, and to push it back so that the bluffs would get the attention.   This is a study for a larger work in progress, so I wrestled with this a bit.

Painting for a residency feels a bit like a combination of commissioned work (and it is, in a way, since one painting will be donated to the Monument's permanent collection) and painting to please a certain audience (the park visitors).  I have my own concept, which I've talked about here, and have mainly expressed it with subjects that interest me.  The response has been overwhelmingly positive, though admittedly everyone still wants to see more of the lighthouse.  And that's okay.

Old Lighthouse

11 X 14", o/linen panel.  The endangered coastal scrub on the rocky hillside below the iconic old lighthouse is wild and beautiful.  Radar towers at left belong to the Navy, which has been instrumental in establishing and co-managing the Point Loma Ecological Reserve.  The Torrey pines near the building were planted in the 1930's; we can't be sure if there were ever Torrey pines naturally occurring here.  They were very widespread in this region millions of years ago, but currently there are only two remaining native populations.  One is Torrey Pines State Reserve, a few miles up the coast, and the other is on Santa Rosa Island near Los Angeles.

Cabrillo Show and new work

I've been working feverishly to finish some larger works for the upcoming solo show at Cabrillo Monument, and will be posting those very soon.  The show runs January 14-31.

Here are updated versions of a couple small paintings.

 End of Point, hazy morning color.  8" X 6", o/cp. Sold, private collection.

Winding Tidepool Path.  6" X 8", o/cp.

Happy New Year!

Sincere greetings of the season, and happy Solstice--days are getting longer, at last!  Many thanks to everyone who has taken the time to look at my work, I'm very grateful to all of you who stop by.

 Cherry Pie, 6" X 8", oil on canvas panel

And the paintings below have been selected for a group show at a terrific gallery in downtown San Diego, L Street Fine Art, with a reception the evening of February 4, 2012.  The theme of the show is abstraction.  Here they are:

 June Gloom and Jacarandas, 6" X 6" oil on Ampersand Gessobord panel

La Playa Cove Morning, 8" X 6" oil on canvas panel

Dudleya (Live Forever), 10" X 8" oil on panel

A Nice Surprise

I'm the featured artist this week on Judson's Plein Air Journal!  I had no idea that was in the works, just got a note from Sarah Judson after the post was up!   She chose one of my favorite Cabrillo paintings to feature, Searchlight Shelter.   Judson's is a long-time favorite source of plein air supplies, they've got everything--including the Guerrilla Painter line of pochade boxes, like my little one pictured on my bike -->.

Also this week, Katherine Tyrrell kindly included my autumn DC painting post on her terrific Art of the Landscape blog.  Katherine's blogs are always interesting and informative.

Adventures in DC

Constitution at Pennsylvania Avenue, 6" X 8", oil/canvas panel

The fall colors were still mostly on the trees, but leaves were falling fast and some trees were already quite bare.

National Mall from the steps of the National Gallery, 8" X 6", o/cp

The National Gallery has a fabulous Sculpture Garden, and that was a great place to sit and paint.

 

Landscape with Ellsworth Kelly, 8" X 6", o/cp

8th and G at Sunset, 8" X 6", o/cp

Untouched

20" X 24", oil on stretched canvas.  There are tidepools and shoreline below the "new" lighthouse which are not accessible to the general public.  The effect of this was obvious when I saw these beautiful stones and shells laying there undisturbed. Two of the three "zones" of tidepools at the monument are open to the public, and even though there is a strict rule against lifting or disturbing anything there, those areas are pretty well picked clean.  I loved having the chance to see these natural ocean-polished stones, shells, and even coral.

Because this is a larger painting, the resolution of my camera doesn't pick up the detail too well--so here are some detail shots.

Thanks again to the very gracious Coast Guard family who granted me the opportunity to see and paint these beautiful scenes and objects by the lower Lighthouse.

Searchlight Shelter

10" X 8", oil on panel.  Sold, private collection.

Along the Bayside Trail at Cabrillo Monument, there is this interesting large metal enclosure built deep into the hillside.  It's the Searchlight Shelter; more about that further down. 

To show a step in the process, here's how I started this painting on site, quickly noting some color and value relationships and placing landmarks in a composition that I was happy with.  Then, using a photo reference at home, I corrected drawing errors and fleshed out the color.  Now you're probably wondering, what the heck is this thing?

Click on the image to see a readable enlargement.  The searchlight was on rails, of which there are remnants visible coming out the front of the enclosure.  The rest of the track is gone, the cement retaining wall has eroded away/been buried by sandstone erosion, but the shelter remains and its former path is an integral part of the Bayside Trail.  In addition, the area has become a case study in the effects of habitat disruption, to help us learn more about the importance of preservation.

Climb to the New Lighthouse

Looking up at the "new" lighthouse (built in 1891) from the shore below.  The cliff is not too high, but steep enough such that the only way to climb it is with the help of that rope.   8" X 6", oil/canvas panel.

Ever wonder what a foghorn looks like?

Those openings are the "speakers", and the concrete slab probably helps project and disperse the sound.  And it is LOUD, audible for miles.

The lighthouse and the foghorn do all they can to warn mariners away from the rocks below, but every so often, there's someone who disregards the warnings.  That's when this happens:

A fiberglass carcass on the rip rap.

Below the "New" Lighthouse

This portion of the shore is not open to the public, so I'm fortunate to have access to it via a very kind member of a Coast Guard family in residence there.  The shore is really pounded by the ocean, being right on the tip of the point, so large boulders (known as "rip rap") have been put down to slow the erosion.  There are substantial colonies of endangered Brown Pelicans here, and they frequently cruise past with their wingtips just clearing the waves.   6" X 8", oil/canvas panel. Sold, private collection.

Sunbath

I have a thing for reptiles:  I just love them.  This very young Western Fence Lizard was catching some rays to warm him/herself in the sun.  They are plentiful at Cabrillo (an important element in the food chain), often spreading themselves out flat on a warm spot.  Sometimes they stop right in the middle of the path and fall asleep in the sun.  You can almost touch them before they wake up and scurry away.  10" X 8", oil on panel. Sold, private collection

kathrynlaw.com, and Paint-Out

 
I've got a website now, a real one!  Took a while to get it going, but it's coming along.  Check it out at KathrynLaw.com and let me know what you think!  New business cards on the way.

Saturday's paint-out at Cabrillo Monument was spectacular.  Fourteen painters and some of the most beautiful weather of the year, made it a day to remember.  We've already begun planning future painting events for the Park.  Here are some photos of painters in action. 

Emerald Building show and Upcoming Paint-out

 

I have a show of 10 paintings from the Cabrillo Artist in Residence project, showing in the display window of the Emerald Building in Downtown San Diego, at C Street and Columbia.  Around the corner are four still lifes in another window.

Old Lighthouse Parlor

 

10" X 8", oil on panel.   The interior of the Old Lighthouse was also the living quarters for the lighthouse keeper and his family.  In the late 1800's when this was an active lighthouse, the lighting was by lamplight, so probably never very bright inside.  It's been kept pretty much as it was, almost a time capsule.  I'm looking at it through a plexiglass viewing window, and the dark atmosphere is probably pretty true to how they lived.  

6" X 8", oil/cp.  These are the brass oilcans that the Keeper used to replenish the oil that illuminated the Fresnel Lens atop the Old Lighthouse.  They are beautiful objects.

Live Forever

10X8", o/panel.  This is Dudleya pulverulenta, one of my favorite plants, also known as Chalk Dudleya and "Live Forever".  It's a succulent, forming part of the extremely endangered coastal sage succulent scrub plant community.  This one is growing adjacent to some California Coastal Sagebrush (artemisia californica).  I love the chalky white stalks with small red leaves and red blossoms.  It has a ghostly beauty rising up out of the scrub.

Bayside Trail

6X8", o/cp (Sold, private collection).  This trail is part of Cabrillo Monument, and on a rare sunny morning, I took another stab at getting the color of this amazing coastal scrub.  Even in sunlight, the colors are very subtle.  The brightest green is Lemonadeberry, which has a Mediterranean growth pattern.  The leaves grow straight up (at a vertical angle) to minimize moisture loss by avoiding direct exposure to the sun.  As a result they don't reflect light the way most green shrubs do, so it's an interesting visual problem when painting them.  The orangey plants are Buckwheat, and much of the grey is Encelia which survives the summer by dropping all its leaves and looking really quite dead.  After the rains start again, it will green up and this scene will look quite different.

Another view, a couple hours earlier (8" X 6", o/cp; Sold, private collection):

Top and Bottom of the Tidepool Hill

6" x 8", oil on canvas panel.
Steps descending to the tidepools, looking back up toward the radar tower.

 6 x 8" oil on canvas panel.
The Tidepool Hill is a legendary stretch of road where groups of cyclists do a multi-climb morning workout.  I've crested this bend in the road many many times, gasping for breath.

Overlook(ed)

This is the New Lighthouse, the less-glamorous but much more practical younger sister of the Old Lighthouse which gets all the attention.  The Old Lighthouse is a much more picturesque and beautiful building, but it was actually a bit of a failure as a lighthouse:  because it's so high on a hill, it can't be seen as well underneath the marine layer of fog which rolls in almost nightly.   The newer, more visible lighthouse shown here was built in 1891, at a much lower elevation.  In fact, it's near the water's edge, and the buildings around it currently house the Coast Guard members stationed here.   (6" X 8", o/cp.)

The Path to Enlightenment

6" X 8", o/cp
This is part of the path that winds its way along the tidepool shore, down below the lighthouse.  The path itself is such a beautiful thing; up and down, back and forth.  The maintenance of the path is also an important part of arresting the erosion of these fragile sandstone cliffs.  Out to sea, there's a clear view of that vast (and vastly important) kelp forest.

 

8" X 6", o/cp

Near the end of the path is this small, natural, smooth-walled cave worn into the sandstone cliffs, a product of the erosion that is happening in "real time"--as I sat there painting, little chunks of sandstone would softly break loose and roll down from above. 

 

8" X 6", o/cp

Another look at the Shaw's Agave and radar towers, still exploring that juxtaposition which seems so emblematic. 

Tidepools and Radar

Fog Midtide, 6 X 8" o/cp (SOLD)

The Monument is an incredibly beautiful nature preserve.  These tidepools are where I did my first-ever plein air work four years ago with my brand new paintbox, the same one I use now on the bike.  There is a kelp forest right here that is the largest in the northern hemisphere, 8 km long and 1 km wide. 

Shaw's Agave with Radar, 6 X 8" o/cp

Cabrillo Point is a natural location for defenses such as the Navy's radar towers.  A theme that I'm exploring during this residency is the coexistence--actually, the mutual benefit--of natural and man-made elements.  I'll talk much more about this as the concept expands.  Radar towers aren't conventionally attractive, but I think they are beautiful when juxtaposed with the organic forms of this rare Shaw's Agave, an endangered plant.  

 Fire Control Station, 10" X 8", o/gessoed paper

During WWII, Cabrillo Point was the site of artillery installations and "control" (lookout) points like this one to help the batteries direct gunfire.  These are fascinating structures, sculpted in concrete to match the surrounding cliff.  This painting doesn't illustrate the structure very well--we're standing on the cliff looking down on the station, with the tidepools far below.   Here's a pencil sketch of another station a little further south; and on the crest just beyond, another radar tower and more agave overlooking the ocean: