20110427
Cabrillo Drive sand cliffs
On a morning ride several weeks ago, I didn't have my paint box but I did have a camera in my phone. I came home and painted this little study while the feeling of being there was still fresh. 8" X 6", o/cp.
Tomorrow is the start of the Stuart Shils masterclass, so I won't be posting until next week sometime. Hopefully I'll have some interesting things to share.
20110426
FTFY, LL Bean
7" X 5", o/cp
In the world of nerds (like the one I'm married to) and internet forums (which I frequent), FTFY stands for "fixed that for you." One alters and restates something to express a correction or one's own impression, adding "FTFY". Here we have a sort of visual example. I posted previously about the value of painting from fashion magazines or catalogs, for practice. When I do this, often without thinking, I "correct" the model's proportions to reflect a more realistic physique--because very few people are size zero. The figure above is one that I painted to look more like a real person. Here's the source photo from the LL Bean catalog...it's not an egregious example, but still. It's the principle of the thing. Fixed that for you, LL Bean.
20110425
20110421
20110414
20110410
Sunlit Still Life
11" X 14", oil on stretched canvas. The green of the background is actually a bit brighter than this.
20110407
Limited Strokes
Those last two still lifes ended up being a bit tight, and when that starts happening, practice with limited strokes is the cure.
12" X 10", oil/stretched canvas
10" X 12", oil/stretched canvas
7" X 5", oil/canvas panel
12" X 10", oil/stretched canvas
7" X 5", oil/canvas panel
20110405
20110402
Still lifes with Oranges
Full afternoon sun:
and the next day, very hazy sun:
Both are 8" X 10", oil on stretched canvas.
Haven't painted outdoor still lifes in quite a while. The first day was clear with very strong sun, but the second day had a hazed-over sky with almost a misty feel in the air. I didn't realize just how much the haze was diffusing the sunlight until I finished the painting and saw how low-contrast it looked.
I like strong sun better. :)
and the next day, very hazy sun:
Both are 8" X 10", oil on stretched canvas.
Haven't painted outdoor still lifes in quite a while. The first day was clear with very strong sun, but the second day had a hazed-over sky with almost a misty feel in the air. I didn't realize just how much the haze was diffusing the sunlight until I finished the painting and saw how low-contrast it looked.
I like strong sun better. :)
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