20110427

Cabrillo Drive sand cliffs


On a morning ride several weeks ago, I didn't have my paint box but I did have a camera in my phone.   I came home and painted this little study while the feeling of being there was still fresh.  8" X 6", o/cp.

Tomorrow is the start of the Stuart Shils masterclass, so I won't be posting until next week sometime.  Hopefully I'll have some interesting things to share.

20110426

FTFY, LL Bean


7" X 5", o/cp
In the world of nerds (like the one I'm married to) and internet forums (which I frequent), FTFY stands for "fixed that for you."  One alters and restates something to express a correction or one's own impression, adding "FTFY".  Here we have a sort of visual example.  I posted previously about the value of painting from fashion magazines or catalogs, for practice.  When I do this, often without thinking, I "correct" the model's proportions to reflect a more realistic physique--because very few people are size zero.  The figure above is one that I painted to look more like a real person.  Here's the source photo from the LL Bean catalog...it's not an egregious example, but still.  It's the principle of the thing.  Fixed that for you, LL Bean.

20110425

20110421

20110414

Strawberries X 2

 


These are both 10" X 10", oil on stretched canvas.   Great practice with reds.

20110410

Sunlit Still Life


11" X 14", oil on stretched canvas.  The green of the background is actually a bit brighter than this.

20110407

Limited Strokes

Those last two still lifes ended up being a bit tight, and when that starts happening, practice with limited strokes is the cure.

12" X 10", oil/stretched canvas

10" X 12", oil/stretched canvas

7" X 5", oil/canvas panel

20110405

More still lifes with oranges...

I'm so behind on posting work.

10" X 10", oil on stretched canvas.

20110402

Still lifes with Oranges

Full afternoon sun:

and the next day, very hazy sun:

Both are 8" X 10", oil on stretched canvas. 

Haven't painted outdoor still lifes in quite a while.  The first day was clear with very strong sun, but the second day had a hazed-over sky with almost a misty feel in the air.  I didn't realize just how much the haze was diffusing the sunlight until I finished the painting and saw how low-contrast it looked. 

I like strong sun better.  :)